Analytical Essays on Music by Women Composers: Concert Music, 1960-2000
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Analytical Essays on Music by Women Composers: Concert Music, 1960-2000
Parsons, Laurel; Ravenscroft, Brenda
Oxford University Press Inc
12/2017
258
Mole
Inglês
9780190665814
15 a 20 dias
Descrição não disponível.
Acknowledgments About the Companion Website Chapter 1. Introduction Laurel Parsons and Brenda Ravenscroft PART I Order, Freedom and Design Chapter 2. Ursula Mamlok, Panta Rhei, Third Movement (1981) "Twelve Tone in My Own Way": An Analytical Study of Ursula Mamlok's Panta Rhei, Third Movement, with Some Reflections on Twelve-Tone Music in America Joseph N. Straus Chapter 3. Norma Beecroft, Improvvisazioni Concertanti No. 1 (1961) Improvvisazioni Concertanti No. 1 by Norma Beecroft: Serialism, Improvisatory Discourse, and the Musical Avant-Garde Christoph Neidhoefer Chapter 4. Joan Tower, Silver Ladders (1986) "Octatonicism," the Octatonic Scale, and Large- Scale Structure in Joan Tower's Silver Ladders Jonathan W. Bernard PART II Gesture, Identity and Culture Chapter 5. Sofia Gubaidulina, String Quartet No. 2 (1987) "Difference Inhabits Repetition": Sofia Gubaidulina's String Quartet No. 2 Judy Lochhead Chapter 6. Chen Yi, Symphony No. 2 (1993) The Transformative Power of Musical Gestures: Cultural Translation in Chen Yi's Symphony No. 2 Nancy Yunhwa Rao PART III Music, Words and Voices Chapter 7. Kaija Saariaho, "The claw of the magnolia..." From the Grammar of Dreams (1988) Superposition in Kaija Saariaho's "The claw of the magnolia..." John Roeder Chapter 8. Libby Larsen, Chanting to Paradise (1997) Music as a Mirror: Libby Larsen's Chanting to Paradise Brenda Ravenscroft Chapter 9. Elisabeth Lutyens, Essence of Our Happinesses (1968) This Imaginary Halfe-Nothing: Temporality in Elisabeth Lutyens's Essence of Our Happinesses Laurel Parsons Glossary Bibliography Index
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Acknowledgments About the Companion Website Chapter 1. Introduction Laurel Parsons and Brenda Ravenscroft PART I Order, Freedom and Design Chapter 2. Ursula Mamlok, Panta Rhei, Third Movement (1981) "Twelve Tone in My Own Way": An Analytical Study of Ursula Mamlok's Panta Rhei, Third Movement, with Some Reflections on Twelve-Tone Music in America Joseph N. Straus Chapter 3. Norma Beecroft, Improvvisazioni Concertanti No. 1 (1961) Improvvisazioni Concertanti No. 1 by Norma Beecroft: Serialism, Improvisatory Discourse, and the Musical Avant-Garde Christoph Neidhoefer Chapter 4. Joan Tower, Silver Ladders (1986) "Octatonicism," the Octatonic Scale, and Large- Scale Structure in Joan Tower's Silver Ladders Jonathan W. Bernard PART II Gesture, Identity and Culture Chapter 5. Sofia Gubaidulina, String Quartet No. 2 (1987) "Difference Inhabits Repetition": Sofia Gubaidulina's String Quartet No. 2 Judy Lochhead Chapter 6. Chen Yi, Symphony No. 2 (1993) The Transformative Power of Musical Gestures: Cultural Translation in Chen Yi's Symphony No. 2 Nancy Yunhwa Rao PART III Music, Words and Voices Chapter 7. Kaija Saariaho, "The claw of the magnolia..." From the Grammar of Dreams (1988) Superposition in Kaija Saariaho's "The claw of the magnolia..." John Roeder Chapter 8. Libby Larsen, Chanting to Paradise (1997) Music as a Mirror: Libby Larsen's Chanting to Paradise Brenda Ravenscroft Chapter 9. Elisabeth Lutyens, Essence of Our Happinesses (1968) This Imaginary Halfe-Nothing: Temporality in Elisabeth Lutyens's Essence of Our Happinesses Laurel Parsons Glossary Bibliography Index
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
