Schoenberg's Models for Beginners in Composition

Table of Contents Abbreviations of Texts Preface: On the History of Models for Beginners in Composition Editorial Notes Commentary Models for Beginners in Composition Editor's Preface to the 1972 Edition Schoenberg's Preface to the 1943 Edition Syllabus Musical Examples: I. Coordination of Melody and Harmony II. Motive and Motival Features in Two-Measure Phrases III. Sentences IV. Periods V. Contrasting Middle Section VI. Recapitulation (a') VII. Minuet VIII. Scherzo IX. Phrases, Half Sentences, Antecedents, and "a" Sections of Ternary Forms Glossary Appendices Appendix 1: Manuscript Sources for Models for Beginners in Composition Appendix 2: Schoenberg's Teaching Schedule at UCLA Appendix 3: Assignments from Schoenberg's Beginning Composition Class Appendix 4: Key to Schoenberg's Symbols and Abbreviations Appendix 5: Primer in Regions Appendix 6: Primer in Transformations Notes Select Bibliography Index

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• Teoria da música e musicologia
• Século 20 e música clássica contemporânea
• Compositores e músicos individuais, bandas e grupos específicos