Style in Narrative
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Style in Narrative
Aspects of an Affective-Cognitive Stylistics
Hogan, Patrick Colm
Oxford University Press Inc
03/2021
320
Dura
Inglês
9780197539576
15 a 20 dias
694
Descrição não disponível.
Introduction. Cognitive and Affective Stylistics
Part One: Literature
I. Literary Style
II. Story Structure: Shakespeare and the Integration of Genres
III. Verbal Narration: Ambiguities of Faulkner's As I Lay Dying
Part Two: Film
IV. Film Style
V. Perceptual Interface and Painterly Cinema: Three Minutes of Robert Rodriguez's Sin City
VI. Emplotment: Ellipsis and Excess in Yasujiro Ozu's Postwar Films
VII. Visual Narration: Embodiment and Point of View in Lu Chuan's Nanjing! Nanjing!
Part Three: Graphic Narrative
VIII. Stylistic Choices in Graphic Narrative: Particularity and Its Functions
in Art Spiegelman's Maus
Afterword. Keep Stylistics Great: A Note on Politics and the Analysis of Style
Works Cited
Part One: Literature
I. Literary Style
II. Story Structure: Shakespeare and the Integration of Genres
III. Verbal Narration: Ambiguities of Faulkner's As I Lay Dying
Part Two: Film
IV. Film Style
V. Perceptual Interface and Painterly Cinema: Three Minutes of Robert Rodriguez's Sin City
VI. Emplotment: Ellipsis and Excess in Yasujiro Ozu's Postwar Films
VII. Visual Narration: Embodiment and Point of View in Lu Chuan's Nanjing! Nanjing!
Part Three: Graphic Narrative
VIII. Stylistic Choices in Graphic Narrative: Particularity and Its Functions
in Art Spiegelman's Maus
Afterword. Keep Stylistics Great: A Note on Politics and the Analysis of Style
Works Cited
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Introduction. Cognitive and Affective Stylistics
Part One: Literature
I. Literary Style
II. Story Structure: Shakespeare and the Integration of Genres
III. Verbal Narration: Ambiguities of Faulkner's As I Lay Dying
Part Two: Film
IV. Film Style
V. Perceptual Interface and Painterly Cinema: Three Minutes of Robert Rodriguez's Sin City
VI. Emplotment: Ellipsis and Excess in Yasujiro Ozu's Postwar Films
VII. Visual Narration: Embodiment and Point of View in Lu Chuan's Nanjing! Nanjing!
Part Three: Graphic Narrative
VIII. Stylistic Choices in Graphic Narrative: Particularity and Its Functions
in Art Spiegelman's Maus
Afterword. Keep Stylistics Great: A Note on Politics and the Analysis of Style
Works Cited
Part One: Literature
I. Literary Style
II. Story Structure: Shakespeare and the Integration of Genres
III. Verbal Narration: Ambiguities of Faulkner's As I Lay Dying
Part Two: Film
IV. Film Style
V. Perceptual Interface and Painterly Cinema: Three Minutes of Robert Rodriguez's Sin City
VI. Emplotment: Ellipsis and Excess in Yasujiro Ozu's Postwar Films
VII. Visual Narration: Embodiment and Point of View in Lu Chuan's Nanjing! Nanjing!
Part Three: Graphic Narrative
VIII. Stylistic Choices in Graphic Narrative: Particularity and Its Functions
in Art Spiegelman's Maus
Afterword. Keep Stylistics Great: A Note on Politics and the Analysis of Style
Works Cited
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.