Music and Sound of Experimental Film

Preface: Jeremy Barham Introduction: Holly Rogers Chapter 1: Absolute Sounding Images: Abstract Film and Radio Drama of the 1920s as Complementary Forms of a Media Specific Art, Dieter Daniels Chapter 2: A Primitivism of the Senses: The Role of Music in Len Lye's Experimental Animation, Malcolm Cook Chapter 3: An Educational Avant-Garde: Sound and Music in Julien Bryan's OIAA Films on Latin America, 1942-1949, James Tobias Chapter 4: bup bup bup: Aural Innovation in the Films of Norman McLaren, Terence Dobson Chapter 5: Sights and Sounds of the Moving Mind: The Visionary Soundtracks of Stan Brakhage, Eric Smigel Chapter 6: Discontinuities and Resynchronisations: The Use of Sound in Polish Experimental Cinema from the 1930s to the 1980s, Daniel Muzyczuk Chapter 7: Grid Intensities: Hearing Structures in Chantal Akerman's Films of the 1970s, Paul Hegarty Chapter 8: Meaning and Musicality: Sound-Image Relations in the Films of John Smith, Andy Birtwistle Chapter 9: Audiovisual Dissonance in Found-Footage Film, Holly Rogers Chapter 10: Rebalancing the Picture/Sound Relationship: The Audiovisual Compositions of Lis Rhodes, Aimee Mollaghan Chapter 11: Sounding Decay in the Digital Age: Audio-Visions of Decasia (2002) and Lyrical Nitrate (1991), Nessa Johnston Chapter 12: The Sound of Queer Experimental Film, Juan A. Suarez Chapter 13: Avant-Gardists and the Lure of Pop Music, Carol Vernallis Chapter 14: The Music of Gustav Mahler in Experimental Film Contexts: Questions of Visual Music and Intermedial Theory, Jeremy Barham

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• Filme: estilos e gêneros
• Filmes, cinema
• Teoria da música e musicologia
• Música