Class, Control, and Classical Music
-10%
portes grátis
Class, Control, and Classical Music
Bull, Anna
Oxford University Press Inc
11/2022
264
Mole
Inglês
9780197646069
15 a 20 dias
Descrição não disponível.
Acknowledgements
Introduction
Chapter 1. Locating classical music in culture
Chapter 2. Boundary-drawing around the proper: from the Victorians to the present
Chapter 3. 'Everyone here is going to have bright futures'. Capitalising on musical standard
Chapter 4. 'Getting it right' as an affect of self-improvement
Chapter 5. Rehearsing restraint: how the body is transcended
Chapter 6. 'Sometimes I feel like I'm his dog': gendered power and the ethics of charismatic authority
Chapter 7. 'Instead of destroying my body I have a reason for maintaining it.' Young women's re-imagining of the body through singing opera
Chapter 8. A community in sound: constructing the valued self
Conclusion
Appendix One
References
Introduction
Chapter 1. Locating classical music in culture
Chapter 2. Boundary-drawing around the proper: from the Victorians to the present
Chapter 3. 'Everyone here is going to have bright futures'. Capitalising on musical standard
Chapter 4. 'Getting it right' as an affect of self-improvement
Chapter 5. Rehearsing restraint: how the body is transcended
Chapter 6. 'Sometimes I feel like I'm his dog': gendered power and the ethics of charismatic authority
Chapter 7. 'Instead of destroying my body I have a reason for maintaining it.' Young women's re-imagining of the body through singing opera
Chapter 8. A community in sound: constructing the valued self
Conclusion
Appendix One
References
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Acknowledgements
Introduction
Chapter 1. Locating classical music in culture
Chapter 2. Boundary-drawing around the proper: from the Victorians to the present
Chapter 3. 'Everyone here is going to have bright futures'. Capitalising on musical standard
Chapter 4. 'Getting it right' as an affect of self-improvement
Chapter 5. Rehearsing restraint: how the body is transcended
Chapter 6. 'Sometimes I feel like I'm his dog': gendered power and the ethics of charismatic authority
Chapter 7. 'Instead of destroying my body I have a reason for maintaining it.' Young women's re-imagining of the body through singing opera
Chapter 8. A community in sound: constructing the valued self
Conclusion
Appendix One
References
Introduction
Chapter 1. Locating classical music in culture
Chapter 2. Boundary-drawing around the proper: from the Victorians to the present
Chapter 3. 'Everyone here is going to have bright futures'. Capitalising on musical standard
Chapter 4. 'Getting it right' as an affect of self-improvement
Chapter 5. Rehearsing restraint: how the body is transcended
Chapter 6. 'Sometimes I feel like I'm his dog': gendered power and the ethics of charismatic authority
Chapter 7. 'Instead of destroying my body I have a reason for maintaining it.' Young women's re-imagining of the body through singing opera
Chapter 8. A community in sound: constructing the valued self
Conclusion
Appendix One
References
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
