Music, Encounter, Togetherness
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Music, Encounter, Togetherness
Cook, Nicholas
Oxford University Press Inc
08/2024
568
Dura
Inglês
9780197663981
15 a 20 dias
Descrição não disponível.
Acknowledgements
List of illustrations
Introduction
1: Socialities of music
1.1 A zone of magic
1.2 Webs of listening
1.3 Beyond participation
2: Performing togetherness
2.1 A readiness for human company
2.2 Networks of musicking
2.3 Musicking on paper
3: Dynamics of encounter
3.1 Rationalising music
3.2 Music and relational being
3.3 Dehumanising music
3.4 Hearing the call of others
4: Between Lucknow and London
4.1 Beyond suspicion
4.2 The dancing girl
4.3 Listening across cultures
4.4 The nabobina
5: Java comes to Paris
5.1 Anxieties of influence
5.2 Turning heads
5.3 Taking your memories home
5.4 Gongs in the Erard
5.5 How Debussy heard the gamelan
6: Music and modernisation in China
6.1 Visions of modernity
6.2 People's musicians
6.3 A national music
6.4 The future is China
6.5 Modernity with Chinese characteristics
7: Music in a cosmopolitan world
7.1 Shanghai then and now
7.2 Everyday cosmopolitanism
7.3 Mobilising music
8: Transcultural musicking
8.1 Imagining a new Australia
8.2 Beyond style
8.3 Virtual worlds
9: Other classics
9.1 Period remix
9.2 Modes of musical sensemaking
9.3 Vienna through the looking glass
9.4 Listening against the grain
Afterword: On certainty
References
List of illustrations
Introduction
1: Socialities of music
1.1 A zone of magic
1.2 Webs of listening
1.3 Beyond participation
2: Performing togetherness
2.1 A readiness for human company
2.2 Networks of musicking
2.3 Musicking on paper
3: Dynamics of encounter
3.1 Rationalising music
3.2 Music and relational being
3.3 Dehumanising music
3.4 Hearing the call of others
4: Between Lucknow and London
4.1 Beyond suspicion
4.2 The dancing girl
4.3 Listening across cultures
4.4 The nabobina
5: Java comes to Paris
5.1 Anxieties of influence
5.2 Turning heads
5.3 Taking your memories home
5.4 Gongs in the Erard
5.5 How Debussy heard the gamelan
6: Music and modernisation in China
6.1 Visions of modernity
6.2 People's musicians
6.3 A national music
6.4 The future is China
6.5 Modernity with Chinese characteristics
7: Music in a cosmopolitan world
7.1 Shanghai then and now
7.2 Everyday cosmopolitanism
7.3 Mobilising music
8: Transcultural musicking
8.1 Imagining a new Australia
8.2 Beyond style
8.3 Virtual worlds
9: Other classics
9.1 Period remix
9.2 Modes of musical sensemaking
9.3 Vienna through the looking glass
9.4 Listening against the grain
Afterword: On certainty
References
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Acknowledgements
List of illustrations
Introduction
1: Socialities of music
1.1 A zone of magic
1.2 Webs of listening
1.3 Beyond participation
2: Performing togetherness
2.1 A readiness for human company
2.2 Networks of musicking
2.3 Musicking on paper
3: Dynamics of encounter
3.1 Rationalising music
3.2 Music and relational being
3.3 Dehumanising music
3.4 Hearing the call of others
4: Between Lucknow and London
4.1 Beyond suspicion
4.2 The dancing girl
4.3 Listening across cultures
4.4 The nabobina
5: Java comes to Paris
5.1 Anxieties of influence
5.2 Turning heads
5.3 Taking your memories home
5.4 Gongs in the Erard
5.5 How Debussy heard the gamelan
6: Music and modernisation in China
6.1 Visions of modernity
6.2 People's musicians
6.3 A national music
6.4 The future is China
6.5 Modernity with Chinese characteristics
7: Music in a cosmopolitan world
7.1 Shanghai then and now
7.2 Everyday cosmopolitanism
7.3 Mobilising music
8: Transcultural musicking
8.1 Imagining a new Australia
8.2 Beyond style
8.3 Virtual worlds
9: Other classics
9.1 Period remix
9.2 Modes of musical sensemaking
9.3 Vienna through the looking glass
9.4 Listening against the grain
Afterword: On certainty
References
List of illustrations
Introduction
1: Socialities of music
1.1 A zone of magic
1.2 Webs of listening
1.3 Beyond participation
2: Performing togetherness
2.1 A readiness for human company
2.2 Networks of musicking
2.3 Musicking on paper
3: Dynamics of encounter
3.1 Rationalising music
3.2 Music and relational being
3.3 Dehumanising music
3.4 Hearing the call of others
4: Between Lucknow and London
4.1 Beyond suspicion
4.2 The dancing girl
4.3 Listening across cultures
4.4 The nabobina
5: Java comes to Paris
5.1 Anxieties of influence
5.2 Turning heads
5.3 Taking your memories home
5.4 Gongs in the Erard
5.5 How Debussy heard the gamelan
6: Music and modernisation in China
6.1 Visions of modernity
6.2 People's musicians
6.3 A national music
6.4 The future is China
6.5 Modernity with Chinese characteristics
7: Music in a cosmopolitan world
7.1 Shanghai then and now
7.2 Everyday cosmopolitanism
7.3 Mobilising music
8: Transcultural musicking
8.1 Imagining a new Australia
8.2 Beyond style
8.3 Virtual worlds
9: Other classics
9.1 Period remix
9.2 Modes of musical sensemaking
9.3 Vienna through the looking glass
9.4 Listening against the grain
Afterword: On certainty
References
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.