Piranesi's Candelabra and the Presence of the Past
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Piranesi's Candelabra and the Presence of the Past
Excessive Objects and the Emergence of a Style in the Age of Neoclassicism
van Eck, Caroline
Oxford University Press
02/2023
224
Dura
Inglês
9780192845665
15 a 20 dias
668
Descrição não disponível.
Introduction
1: 'A Neoclassical Dream and an Archaeologist's Nightmare': Piranesi's Colossal Candelabra in the Louvre and Ashmolean Museum
2: Candelabra in Antiquity, their Rediscovery, and Reception
3: Making Antiquity Materially Present
4: Animal Features
5: Animation, Immersion, and the Revival of Antiquity
6: Movement, Animation and Intentionality
Conclusion: 'Antiquity is only now coming into Being'. The Origins of the Style Empire and the Turn towards the Object, 1770-1820.
1: 'A Neoclassical Dream and an Archaeologist's Nightmare': Piranesi's Colossal Candelabra in the Louvre and Ashmolean Museum
2: Candelabra in Antiquity, their Rediscovery, and Reception
3: Making Antiquity Materially Present
4: Animal Features
5: Animation, Immersion, and the Revival of Antiquity
6: Movement, Animation and Intentionality
Conclusion: 'Antiquity is only now coming into Being'. The Origins of the Style Empire and the Turn towards the Object, 1770-1820.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Introduction
1: 'A Neoclassical Dream and an Archaeologist's Nightmare': Piranesi's Colossal Candelabra in the Louvre and Ashmolean Museum
2: Candelabra in Antiquity, their Rediscovery, and Reception
3: Making Antiquity Materially Present
4: Animal Features
5: Animation, Immersion, and the Revival of Antiquity
6: Movement, Animation and Intentionality
Conclusion: 'Antiquity is only now coming into Being'. The Origins of the Style Empire and the Turn towards the Object, 1770-1820.
1: 'A Neoclassical Dream and an Archaeologist's Nightmare': Piranesi's Colossal Candelabra in the Louvre and Ashmolean Museum
2: Candelabra in Antiquity, their Rediscovery, and Reception
3: Making Antiquity Materially Present
4: Animal Features
5: Animation, Immersion, and the Revival of Antiquity
6: Movement, Animation and Intentionality
Conclusion: 'Antiquity is only now coming into Being'. The Origins of the Style Empire and the Turn towards the Object, 1770-1820.
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
