Fascist Turn in the Dance of Serge Lifar
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Fascist Turn in the Dance of Serge Lifar
Interwar French Ballet and the German Occupation
Franko, Mark
Oxford University Press Inc
08/2020
294
Dura
Inglês
9780197503324
15 a 20 dias
1
Descrição não disponível.
Foreword
Frederic Pouillaude
Acknowledgements
Preface
Introduction: The Transnational Path Toward Corporeal Fascism
Chapter One: A Genealogy of Dance Modernity: Movement Artifacts, Mythic Principles, and Archival Others
Chapter Two: The Critical Reception of Serge Lifar (1929-1939)
Chapter Three: The Dancer as Statue and the Geo-Politics of Neoclassicism
Chapter Four: Parade as a Critical Concept in Interwar Dance Theory: from Jean Cocteau and Paul Valery to Andre Varagnac
Chapter Five: Serge Lifar and the Question of Collaboration with the German Authorities under the Occupation of Paris (1940-1949)
Chapter Six: From the Neoclassical Turn to the Baroque Re-turn
Selected Bibliography
Index
Frederic Pouillaude
Acknowledgements
Preface
Introduction: The Transnational Path Toward Corporeal Fascism
Chapter One: A Genealogy of Dance Modernity: Movement Artifacts, Mythic Principles, and Archival Others
Chapter Two: The Critical Reception of Serge Lifar (1929-1939)
Chapter Three: The Dancer as Statue and the Geo-Politics of Neoclassicism
Chapter Four: Parade as a Critical Concept in Interwar Dance Theory: from Jean Cocteau and Paul Valery to Andre Varagnac
Chapter Five: Serge Lifar and the Question of Collaboration with the German Authorities under the Occupation of Paris (1940-1949)
Chapter Six: From the Neoclassical Turn to the Baroque Re-turn
Selected Bibliography
Index
Foreword
Frederic Pouillaude
Acknowledgements
Preface
Introduction: The Transnational Path Toward Corporeal Fascism
Chapter One: A Genealogy of Dance Modernity: Movement Artifacts, Mythic Principles, and Archival Others
Chapter Two: The Critical Reception of Serge Lifar (1929-1939)
Chapter Three: The Dancer as Statue and the Geo-Politics of Neoclassicism
Chapter Four: Parade as a Critical Concept in Interwar Dance Theory: from Jean Cocteau and Paul Valery to Andre Varagnac
Chapter Five: Serge Lifar and the Question of Collaboration with the German Authorities under the Occupation of Paris (1940-1949)
Chapter Six: From the Neoclassical Turn to the Baroque Re-turn
Selected Bibliography
Index
Frederic Pouillaude
Acknowledgements
Preface
Introduction: The Transnational Path Toward Corporeal Fascism
Chapter One: A Genealogy of Dance Modernity: Movement Artifacts, Mythic Principles, and Archival Others
Chapter Two: The Critical Reception of Serge Lifar (1929-1939)
Chapter Three: The Dancer as Statue and the Geo-Politics of Neoclassicism
Chapter Four: Parade as a Critical Concept in Interwar Dance Theory: from Jean Cocteau and Paul Valery to Andre Varagnac
Chapter Five: Serge Lifar and the Question of Collaboration with the German Authorities under the Occupation of Paris (1940-1949)
Chapter Six: From the Neoclassical Turn to the Baroque Re-turn
Selected Bibliography
Index
