Together in Music
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portes grátis
Together in Music
Coordination, expression, participation
Daffern, Helena; Bailes, Freya; Timmers, Renee
Oxford University Press
11/2021
320
Dura
Inglês
9780198860761
15 a 20 dias
762
Descrição não disponível.
Part 1: Coordination and ensemble organization
1: Nicola Pennill and Dermot Breslin: Music ensembles as self-organized groups
2: James Saunders: Group behaviors as music
3: David A. Camlin: Organizational dynamics in community ensembles
4: Su Yin Mak, Hiroko Nishida, and Daisuke Yokomori: Agency in ensemble interaction and rehearsal communication
5: Nicola Pennill and Jane W. Davidson: Investigating emergent coordination in small music groups
6: Kathryn King: Ministry of sound: musical mediations in an English parish church
7: Elizabeth Haddon and Catherine Laws: Playful production: collaborative facilitation in a music ensemble context
8: J. Murphy McCaleb: Teaching through ensemble performance
9: Alana Blackburn: The impact of group identity on the social dynamics and sustainability of chamber music ensembles
10: Wendy K. Moy: Come together: An ethnography of the Seattle Men's Chorus family
11: Evgenia Roussou: Working practices of professional piano accompanists outlined through a conceptual framework
12: Jane Ginsborg and Dawn Bennett: Developing familiarity: Rehearsal talk in a newly formed duo
Part 2: Expression, communication and interaction
13: Renee Timmers: Embodiment, process and product in ensemble expression
14: Alexander Refsum Jensenius and Cagri Erdem: Gestures in ensemble performance
15: Cayenna Ponchione-Bailey and Eric F. Clarke: Technologies for investigating large ensemble performance
16: Helena Daffern and Sara D'Amario: Understanding expressive ensemble singing through acoustics
17: Sara D'Amario and Freya Bailes: Ensemble timing and synchronization
18: Emily Payne and Philip Thomas: Ensemble interaction in indeterminate music: a case study of Christian Wolff's exercises
19: Christoph Seibert: Using performance sociograms to investigate inter-performer relationships in music ensembles
20: Ryan Kirkbride: Together in cyberspace: collaborative live coding of music
21: Mary Black: "Crystal clear" or "as clear as mud!" Verbalized Imagery as successful communication between singers and choir directors
22: Christopher Terepin: An historical perspective on ensemble performance: asynchrony in early recordings of the Czech Quartet
23: Laura Bishop, Carlos Cancino-Chacon, and Werner Goebl: Beyond synchronization: body gestures and gaze direction in duo performance
Part 3: Participation, development and wellbeing
24: Gunter Kreutz and Michael Bonshor: Ensembles for wellbeing
25: Naomi Norton: Ensemble musicians' health and wellness
26: Tal-Chen Rabinowitch and Satinder Gill: Musical interaction, social communication and wellbeing
27: Karen Burland: Ensemble participation and personal development
28: Helen J. English: Empowering ensembles: Music and world-building past and present
29: Stuart Wood and Irene Pujol Torras: Ensembles in music therapy
30: Jennifer MacRitchie and Sandra Garrido: Ensemble participation in late adulthood
31: Donald Glowinski, Cecile Levacher, Florian Buchheit, Chiara Malagoli, Benjamin Matuszewski, Simon Schaerlaeken, Chiara Noera, Katie Edwards, Carlo Chiorri, Frederic Bevilacqua, and Didier Grandjean: Emotional, cognitive and motor development in youth orchestras: a 2-year longitudinal study
32: Andrea Schiavio: Enhanced learning through joint instrumental education
33: James Williams: Collaborative composition and performance in arts and health workshops: How notating in groups enables creative interaction and communication for social wellbeing
34: Daniel Galbreath and Gavin Thatcher: Encountering the singing body: Vocal physicality and interactivity
35: Juliana Moonette Manrique and Angelina Gutierrez: Ensemble singing for wellbeing and social inclusion of street children: Music-based social action research
36: Renee Timmers, Freya Bailes, and Helena Daffern: Together in music: embodiment, multidimensionality, and musical-social interaction
1: Nicola Pennill and Dermot Breslin: Music ensembles as self-organized groups
2: James Saunders: Group behaviors as music
3: David A. Camlin: Organizational dynamics in community ensembles
4: Su Yin Mak, Hiroko Nishida, and Daisuke Yokomori: Agency in ensemble interaction and rehearsal communication
5: Nicola Pennill and Jane W. Davidson: Investigating emergent coordination in small music groups
6: Kathryn King: Ministry of sound: musical mediations in an English parish church
7: Elizabeth Haddon and Catherine Laws: Playful production: collaborative facilitation in a music ensemble context
8: J. Murphy McCaleb: Teaching through ensemble performance
9: Alana Blackburn: The impact of group identity on the social dynamics and sustainability of chamber music ensembles
10: Wendy K. Moy: Come together: An ethnography of the Seattle Men's Chorus family
11: Evgenia Roussou: Working practices of professional piano accompanists outlined through a conceptual framework
12: Jane Ginsborg and Dawn Bennett: Developing familiarity: Rehearsal talk in a newly formed duo
Part 2: Expression, communication and interaction
13: Renee Timmers: Embodiment, process and product in ensemble expression
14: Alexander Refsum Jensenius and Cagri Erdem: Gestures in ensemble performance
15: Cayenna Ponchione-Bailey and Eric F. Clarke: Technologies for investigating large ensemble performance
16: Helena Daffern and Sara D'Amario: Understanding expressive ensemble singing through acoustics
17: Sara D'Amario and Freya Bailes: Ensemble timing and synchronization
18: Emily Payne and Philip Thomas: Ensemble interaction in indeterminate music: a case study of Christian Wolff's exercises
19: Christoph Seibert: Using performance sociograms to investigate inter-performer relationships in music ensembles
20: Ryan Kirkbride: Together in cyberspace: collaborative live coding of music
21: Mary Black: "Crystal clear" or "as clear as mud!" Verbalized Imagery as successful communication between singers and choir directors
22: Christopher Terepin: An historical perspective on ensemble performance: asynchrony in early recordings of the Czech Quartet
23: Laura Bishop, Carlos Cancino-Chacon, and Werner Goebl: Beyond synchronization: body gestures and gaze direction in duo performance
Part 3: Participation, development and wellbeing
24: Gunter Kreutz and Michael Bonshor: Ensembles for wellbeing
25: Naomi Norton: Ensemble musicians' health and wellness
26: Tal-Chen Rabinowitch and Satinder Gill: Musical interaction, social communication and wellbeing
27: Karen Burland: Ensemble participation and personal development
28: Helen J. English: Empowering ensembles: Music and world-building past and present
29: Stuart Wood and Irene Pujol Torras: Ensembles in music therapy
30: Jennifer MacRitchie and Sandra Garrido: Ensemble participation in late adulthood
31: Donald Glowinski, Cecile Levacher, Florian Buchheit, Chiara Malagoli, Benjamin Matuszewski, Simon Schaerlaeken, Chiara Noera, Katie Edwards, Carlo Chiorri, Frederic Bevilacqua, and Didier Grandjean: Emotional, cognitive and motor development in youth orchestras: a 2-year longitudinal study
32: Andrea Schiavio: Enhanced learning through joint instrumental education
33: James Williams: Collaborative composition and performance in arts and health workshops: How notating in groups enables creative interaction and communication for social wellbeing
34: Daniel Galbreath and Gavin Thatcher: Encountering the singing body: Vocal physicality and interactivity
35: Juliana Moonette Manrique and Angelina Gutierrez: Ensemble singing for wellbeing and social inclusion of street children: Music-based social action research
36: Renee Timmers, Freya Bailes, and Helena Daffern: Together in music: embodiment, multidimensionality, and musical-social interaction
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
Part 1: Coordination and ensemble organization
1: Nicola Pennill and Dermot Breslin: Music ensembles as self-organized groups
2: James Saunders: Group behaviors as music
3: David A. Camlin: Organizational dynamics in community ensembles
4: Su Yin Mak, Hiroko Nishida, and Daisuke Yokomori: Agency in ensemble interaction and rehearsal communication
5: Nicola Pennill and Jane W. Davidson: Investigating emergent coordination in small music groups
6: Kathryn King: Ministry of sound: musical mediations in an English parish church
7: Elizabeth Haddon and Catherine Laws: Playful production: collaborative facilitation in a music ensemble context
8: J. Murphy McCaleb: Teaching through ensemble performance
9: Alana Blackburn: The impact of group identity on the social dynamics and sustainability of chamber music ensembles
10: Wendy K. Moy: Come together: An ethnography of the Seattle Men's Chorus family
11: Evgenia Roussou: Working practices of professional piano accompanists outlined through a conceptual framework
12: Jane Ginsborg and Dawn Bennett: Developing familiarity: Rehearsal talk in a newly formed duo
Part 2: Expression, communication and interaction
13: Renee Timmers: Embodiment, process and product in ensemble expression
14: Alexander Refsum Jensenius and Cagri Erdem: Gestures in ensemble performance
15: Cayenna Ponchione-Bailey and Eric F. Clarke: Technologies for investigating large ensemble performance
16: Helena Daffern and Sara D'Amario: Understanding expressive ensemble singing through acoustics
17: Sara D'Amario and Freya Bailes: Ensemble timing and synchronization
18: Emily Payne and Philip Thomas: Ensemble interaction in indeterminate music: a case study of Christian Wolff's exercises
19: Christoph Seibert: Using performance sociograms to investigate inter-performer relationships in music ensembles
20: Ryan Kirkbride: Together in cyberspace: collaborative live coding of music
21: Mary Black: "Crystal clear" or "as clear as mud!" Verbalized Imagery as successful communication between singers and choir directors
22: Christopher Terepin: An historical perspective on ensemble performance: asynchrony in early recordings of the Czech Quartet
23: Laura Bishop, Carlos Cancino-Chacon, and Werner Goebl: Beyond synchronization: body gestures and gaze direction in duo performance
Part 3: Participation, development and wellbeing
24: Gunter Kreutz and Michael Bonshor: Ensembles for wellbeing
25: Naomi Norton: Ensemble musicians' health and wellness
26: Tal-Chen Rabinowitch and Satinder Gill: Musical interaction, social communication and wellbeing
27: Karen Burland: Ensemble participation and personal development
28: Helen J. English: Empowering ensembles: Music and world-building past and present
29: Stuart Wood and Irene Pujol Torras: Ensembles in music therapy
30: Jennifer MacRitchie and Sandra Garrido: Ensemble participation in late adulthood
31: Donald Glowinski, Cecile Levacher, Florian Buchheit, Chiara Malagoli, Benjamin Matuszewski, Simon Schaerlaeken, Chiara Noera, Katie Edwards, Carlo Chiorri, Frederic Bevilacqua, and Didier Grandjean: Emotional, cognitive and motor development in youth orchestras: a 2-year longitudinal study
32: Andrea Schiavio: Enhanced learning through joint instrumental education
33: James Williams: Collaborative composition and performance in arts and health workshops: How notating in groups enables creative interaction and communication for social wellbeing
34: Daniel Galbreath and Gavin Thatcher: Encountering the singing body: Vocal physicality and interactivity
35: Juliana Moonette Manrique and Angelina Gutierrez: Ensemble singing for wellbeing and social inclusion of street children: Music-based social action research
36: Renee Timmers, Freya Bailes, and Helena Daffern: Together in music: embodiment, multidimensionality, and musical-social interaction
1: Nicola Pennill and Dermot Breslin: Music ensembles as self-organized groups
2: James Saunders: Group behaviors as music
3: David A. Camlin: Organizational dynamics in community ensembles
4: Su Yin Mak, Hiroko Nishida, and Daisuke Yokomori: Agency in ensemble interaction and rehearsal communication
5: Nicola Pennill and Jane W. Davidson: Investigating emergent coordination in small music groups
6: Kathryn King: Ministry of sound: musical mediations in an English parish church
7: Elizabeth Haddon and Catherine Laws: Playful production: collaborative facilitation in a music ensemble context
8: J. Murphy McCaleb: Teaching through ensemble performance
9: Alana Blackburn: The impact of group identity on the social dynamics and sustainability of chamber music ensembles
10: Wendy K. Moy: Come together: An ethnography of the Seattle Men's Chorus family
11: Evgenia Roussou: Working practices of professional piano accompanists outlined through a conceptual framework
12: Jane Ginsborg and Dawn Bennett: Developing familiarity: Rehearsal talk in a newly formed duo
Part 2: Expression, communication and interaction
13: Renee Timmers: Embodiment, process and product in ensemble expression
14: Alexander Refsum Jensenius and Cagri Erdem: Gestures in ensemble performance
15: Cayenna Ponchione-Bailey and Eric F. Clarke: Technologies for investigating large ensemble performance
16: Helena Daffern and Sara D'Amario: Understanding expressive ensemble singing through acoustics
17: Sara D'Amario and Freya Bailes: Ensemble timing and synchronization
18: Emily Payne and Philip Thomas: Ensemble interaction in indeterminate music: a case study of Christian Wolff's exercises
19: Christoph Seibert: Using performance sociograms to investigate inter-performer relationships in music ensembles
20: Ryan Kirkbride: Together in cyberspace: collaborative live coding of music
21: Mary Black: "Crystal clear" or "as clear as mud!" Verbalized Imagery as successful communication between singers and choir directors
22: Christopher Terepin: An historical perspective on ensemble performance: asynchrony in early recordings of the Czech Quartet
23: Laura Bishop, Carlos Cancino-Chacon, and Werner Goebl: Beyond synchronization: body gestures and gaze direction in duo performance
Part 3: Participation, development and wellbeing
24: Gunter Kreutz and Michael Bonshor: Ensembles for wellbeing
25: Naomi Norton: Ensemble musicians' health and wellness
26: Tal-Chen Rabinowitch and Satinder Gill: Musical interaction, social communication and wellbeing
27: Karen Burland: Ensemble participation and personal development
28: Helen J. English: Empowering ensembles: Music and world-building past and present
29: Stuart Wood and Irene Pujol Torras: Ensembles in music therapy
30: Jennifer MacRitchie and Sandra Garrido: Ensemble participation in late adulthood
31: Donald Glowinski, Cecile Levacher, Florian Buchheit, Chiara Malagoli, Benjamin Matuszewski, Simon Schaerlaeken, Chiara Noera, Katie Edwards, Carlo Chiorri, Frederic Bevilacqua, and Didier Grandjean: Emotional, cognitive and motor development in youth orchestras: a 2-year longitudinal study
32: Andrea Schiavio: Enhanced learning through joint instrumental education
33: James Williams: Collaborative composition and performance in arts and health workshops: How notating in groups enables creative interaction and communication for social wellbeing
34: Daniel Galbreath and Gavin Thatcher: Encountering the singing body: Vocal physicality and interactivity
35: Juliana Moonette Manrique and Angelina Gutierrez: Ensemble singing for wellbeing and social inclusion of street children: Music-based social action research
36: Renee Timmers, Freya Bailes, and Helena Daffern: Together in music: embodiment, multidimensionality, and musical-social interaction
Este título pertence ao(s) assunto(s) indicados(s). Para ver outros títulos clique no assunto desejado.
